Ashes and Snow

We went to see Ashes and Snow by Gregory Colbert last week at the Santa Monica Pier. When I saw the initial promotions I wasn’t much interested. The images seemed too fake and new agey. Posed images of people and animals. But everyone we knew who went liked it, even after I voiced my reservations. Louisa’s mom came to town and it seemed like an interesting thing to do, so I agreed to go.

The installation in a stacked shipping containers is interested. The pictures are hanging on long wires from structures connnecting the containers. Music and small river rocks add to the ambience. The images are technically well done and many of them make interesting designs. And seeing sequences of images make them a little less fake as one got the idea how they were achieved. An amazing amount of work I imagine and patience. Waiting for the right light and weather, and even though the animals must have been relatively tame in most cases, many set-ups and tries must have been made. The promotional literature says they were “unscripted.” Unscripted maybe, but the actors knew what they were supposed to try to do. They didn’t all accidentally have their eyes closed. All the images were sepia toned and some were tinted. The literature said they were not “digitally maninpulated,” but they are listed as “mixed media.” So maybe not digitally manipulated, but manipuated.

The combination of closed eyes and sepia tones gave an overall deadly feel to the show. No expression, no happiness. Felt like waiting for death.

Our friends said don’t worry too much about the still images, the movie(s) make it worthwhile. One 60-minute movie and two shorter ones. The 60-minute movie did give a better idea of how it was all put together, but I still didn’t get the point. Although tigers and cheetahs were laying on people and people were curled up next to elephants, they were still lifeless. And somewhat creepy—maybe the Timothy Treadwell effect—he thought he was bonding with the bears, but they ate him nonetheless.

All in all, interesting images from a design (shape, forms, and shadows), but still cold and new agey.

Why did I write this? I guess I’m trying to understand popular culture (or why I don’t get or embrace it) and thought discussing it and writing it might bring clarification. I don’t think it did.

Court Drops Charges Against Author for ‘Insulting’ Turkey

I’m posting this because when I gave a slide show at a Sierra Club meeting earlier this month I was approached by a Turkish lady who said something to the effect that I had misrepresented how the Turks deal with disent and minorties. My reponse was until in essence there was freedom of speech in Turkey, neither she or the rest of the Turkish citizenry would know what was going on. (She also thought by suggesting that of course I would agree that the countries neglect of New Orleans after Katrina had nothing to do with the fact that the most affected citizens were black, that I would understand her arguments. I surprised her by not agreeing with her).

This article is good news.

January 23, 2006
Court Drops Charges Against Author for ‘Insulting’ Turkey

By SEBNEM ARSU
ISTANBUL, Jan. 23 – An Istanbul court dropped charges against the novelist Orhan Pamuk today, ending a trial that put Turkey at odds with the European Union over the issue of freedom of speech.

Mr. Pamuk, whose works have been translated into dozens of languages, spoke in a newspaper interview about the mass killings of Armenians by the Ottoman Empire in 1915, and also of the deaths of Kurds in Turkish operations in the 1980’s against a separatist group. He was then prosecuted for “insulting Turkish identity.”

While historians widely agree that the 1915 massacres constituted genocide, the subject remains taboo in Turkey.

The court had asked the government to rule on whether to proceed with the case. On Sunday, the Justice Ministry told the court to make the decision, citing changes made to the penal code last year. Today the court dropped the charges.

The ruling was immediately welcomed by the European legislators. But the novelist’s lawyer, Haluk Inanici, chided the court for framing its decision in bureaucratic terms rather than addressing the issue of freedom of expression.

“The court dropped the charges not because the trial violated the freedom of speech,” Mr. Inanici said, but because “there was a missing approval by the Justice Ministry to proceed with the trial.”

Mr. Pamuk was facing a sentence of up to three years in jail if he was convicted of insulting the Turkish identity during the interview he gave to Das Magazine, a Swiss publication, in 2005.

Mr. Pamuk’s high profile in Europe and elsewhere prompted widespread opposition to his prosecution, an advantage that many intellectuals who face similar charges do not have, said Vecdi Sayar, general secretary of International PEN, a worldwide association of writers. Mr. Pamuk’s novels include “My Name Is Red,” “The Black Book” and “Snow.”

PEN says that about 70 intellectuals have been charged under Article 301 of the revised penal code, which calls for punishment for public comments that “denigrate Turkishness, the government, the army and the memory of the founder of modern Turkey, Mustafa Kemal Ataturk.”

“There are many people abroad who fail to see beyond Orhan Pamuk’s trial,” Mr. Sayar said. “Saving a writer like Orhan Pamuk from prosecution may stand as a symbolic example on its own. But it is not an overall resolution for other intellectuals and writers that still face similar charges in Turkey.”

The governing Justice and Development Party, which worked to align Turkish laws with European standards before the European Union membership talks began last October, tried to appear impartial in handling Mr. Pamuk’s case. But many senior government officials interpreted the heavy international criticism as an interference in the national judiciary system.

Mr. Sayar said the government feared losing the support of nationalist constituents who opposed Mr. Pamuk’s comments.

Televised pictures from Mr. Pamuk’s first hearing in December showed armored police officers trying to save the 53-year-old novelist from a barrage of eggs, and protesters who jumped on his vehicle punching the windshield.

“The Justice Ministry could have dropped the charges before the local court and spoken clearly about the necessities of freedom of speech,” Mr. Sayar said. “But in fear of annoying the nationalist circles, they did not.”